Lost Girl

E717c828 e1ec 45af ac60 f7defcd9b0ccDes Moines Young Artists’ Theatre presents Lost Girl, opening next Friday September 20 at the Franklin Jr. High building. Their first show of the season, Lost Girl is essentially a sequel to the classic Peter Pan story, set six years after Wendy returns to the nursery and her home. But the setting, and the story told, are very different from J.M. Barrie’s original tale. Written by Kimberly Belflower, this new work is all about moving on, growing up, and becoming more than just a part of someone else’s story.

(And stick around until the end of this article, there’s a special surprise from DMYAT and the Guide!)

 

Second Story to the Right

E048ceaf eeaa 4736 9f8e 61e57e26aa29Director David VanCleave was delighted to discover the script for Lost Girl, and he’s proud to have DMYAT be one of the first groups in the country to put it onstage. While a comparison with the original Peter Pan is inevitable, where the story goes from there with Wendy and her own journey is the exciting part.

 

Peter Pan is all about childhood and refusing to grow up. While Barrie acknowledges the darkness (the original novel says that when lost boys start to show signs of growing up, he ‘thins them out’), it is never consuming--there's always more play and another adventure. It's why we [as a society] love Peter Pan / Neverland so much.”

 

Ead83e1d 9323 4dd5 b6f5 0938f17580cc“But unfortunately, we do grow up. And sometimes the darkness can be consuming... like the end of a relationship or your parents' divorce. Navigating that darkness is tricky for anyone, especially someone who has never experienced it. Do you--can you--forget completely? How do you celebrate and cherish the happy memories that are filled with love without crashing back to reality filled with loss?”

 

Yvette Hermann is back working on another DMYAT production, and with Lost Girl she and her performers get to explore a whole new spin on Peter Pan... but was it really about him to begin with?

 

C310c081 39a0 4f0b bfe8 251d1cae4849“It’s Wendy’s story,” says Hermann. “It always has been. She starts Lost, but this journey is hers, hers alone, and she traverses uncharted territory, scarier than Neverland: the landscape of her experiences is a series of obstacles to identity (re)formation.”

 

“We (historically) glorify images of masculinity that serve men... the Disney Corporation romanticized Wendy's story so much that we think it's the Peter Pan story. The journey is Wendy's. Peter has no arc. He never grows up and that's part of his ‘magic.’ Most people don't give a thought to what happens to the Darlings after he disappears.”

 

“To me (I work with youth who have experienced trauma) this play is a psychological journey of Trauma and Healing. Wendy's. She falters, she clings, she repels, she doesn't understand her own thoughts and emotions... and by the end of the play she enters the final stages of recovery: remembrance, mourning and self-affirmation. And it's poetry. The entire play is written in verse, which is not new or modern, but so, so beautiful.”

 

Revisiting the Past

Jill S. Ziegler is no stranger to local audiences, having performed with many groups in the area including the DM Playhouse, Noce, Kata Klysmic, and many others. In Lost Girl she plays Mother to Wendy, and oddly enough it’s somewhat similar to something Ziegler done in the past, but with a new spin.

 

Dfee34a4 bd86 489e 8ad5 d6bfd4b54644“My experience in the role of Mother in Lost Girl is particularly special to me since I played Mrs. Darling (and Grown Up Wendy) in Peter Pan several years ago. I spent a lot of time then digging into who Mrs. Darling was, so getting to reprise the role within this new story with a totally new concept is really exciting. I’ve been able to pull from that experience along with the original J.M. Barrie text to give an interesting story to this new role – even though both parts are relatively ‘small’ in the grand scheme of both shows.”

 

“In this new extension to the story, Mr. Darling is no longer around, which connects Mother to Wendy in a far deeper and more relatable way. The fact that we've both been abandoned has really informed my scenes with Wendy and has evolved the mother/daughter relationship audiences might think they know.”

 

Choreollaborators

You may wonder what that word means. It’s a term listed in the program for Lost Girl and officially the credit that Yvette Hermann earns for this production.

 

5efb2bf4 c926 4ad8 b596 5219c58f2168“A ‘choreollaborator’ is a portmanteau of choreographer and collaborator. David and I think we invented it when we worked on RENT for DMYAT in summer of 2016. David and I like to take a collaborator approach. We often work with first-time actors and directors, and putting the decision-making in their hands invariably produces a more heartfelt performance. I'd rather not have young actors follow my directions- I want them to solve the problems and create the beauty- I'm there to make sure their movement choices are safe and support the story.”

 

“My approach is informed by Sanford Meisner (naturalistic acting technique based on listening), Jerzy Grotowski (theatre using things on hand) and Rudolf Laban (movement and energy)... we infuse the concepts and vocabulary early in the rehearsal process and the ensemble runs with it. Soon they are confidently and joyously suggesting safe ways to lift one another (literally) or finding their own shades of meaning in the dialogue.”

 

39c03487 f834 44b3 9957 7d21a1b0ae7fVanCleave has used this concept in his entire approach to this show. “For Lost Girl, we've had entire movement rehearsals where the actors use their bodies to explore different themes (like being ‘stuck’ vs ‘free’), or they will articulate what a scene really means or what Wendy is actually feeling and stage that analysis rather than the words coming out of their mouths. It's a powerful process of exploration. Sometimes their explorations stay in the show, sometimes they inform the finished "blocking" that the audience will see, and sometimes the audience will see it exactly as is.”

 

Special Deal for Gentle Guide Readers!!

Here’s the unique part for those of you wanting to see Lost Girl. DMYAT has created a special discount code for the readers of the Gentle Guide, which you can use for 20% off the cost of your tickets for Lost Girl. So you can order your tickets from the DMYAT website, and enter the code SLIGHTLY to take advantage of this great deal!! Lost Girl opens next Friday at the Franklin Jr. High Auditorium and runs through September 29.

Publicity photo by Brandon James photography. Courtesy of Des Moines Young Artists’ Theatre.

 

David VanCleave Des Moines Young Artists' Theatre Yvette Hermann Jill S. Ziegler